Translate

Showing posts with label Vermeer. Show all posts
Showing posts with label Vermeer. Show all posts

Monday, December 12, 2011

Waxing Rhapsodic re the Wood Chipper


What can I say about a wood chipper that hasn’t been said before?
They are quiet? I could say that but it would not be true.
Midday through our day of wood chipping I slipped out for a visit to our chiropractor where we discussed the merits of wood chipping, determining that the only thing that could improve the wood chipping experience would be if the machines were silent. That said, our chiropractor pointed out that for certain people (men, boys, half the human race?) one of the pleasures of heavy machinery is the noise factor. Think of ATV’s, motorcycles and anything with its muffler removed. We do wear earplugs when we employ the wood chipper, but they can only do so much and mostly what I cannot hear is anything CSB says to me, such as, Watch out for the huge branch coming your way.
The wood chipper we rented is made by Vermeer, a heavy machinery company named for the Flemish painter of exquisite – and quiet – luminous 17th century interiors. Even when he paints a music lesson, we feel certain that the notes played were soft and that no-one’s eardrums were assaulted.
And then there are the simple pleasures wood chipping: feeding the tree limbs into the hopper; pushing them towards the maw of the grinders (which are very similar to the molinos in a sugar mill, except they do not squeeze out sugar juice); watching the inexorable crushing and shredding of the woody pulp between the grinders; standing back to admire the arc of the finely chipped wood spew from the chute.
I will not mention CSB’s tired and aching limbs the following day.
A few facts to astound friends at your next party:
1. The wood chipper was invented in Germany in 1884 by Peter Jensen, who may or may not be related to the silversmith George Jensen who designed what I think are the loveliest cutlery patterns. Probably not, because Georg was Danish.
2. Between 1992 and 2005 there were 33 deaths by wood chipper in the USA. That statistic does not include the 2007 death of a Los Angeles man. As with the struggle of St Christina of Stommeln against the Devil, the details of death by wood chipper are “of so repulsive a nature that no particulars of it can be given here.”

And then there is the satisfaction of woods that look like woods and not a tornado zone.

Tuesday, November 24, 2009

Visiting Vermeer


(Above:Today, a wall full of reproductions of the known Vermeers in the world.)

At 4 this morning I was wide awake with the realization that if I did not go to the Met this very day to see Vermeer's "Milkmaid" then I would have totally missed the opportunity and would rue my bad planning. So I went.

The milkmaid wears a red skirt, a blue apron (note there is a new blue dye just discovered in a lab in Oregon), a yellow laced-up chemise with the sleeves pushed up, and a fetching white wimple.
Admiring her were a redhead in a quilted jacket; an academic older couple in matching tweeds; a Japanese man who had strayed from his group, wearing a Kelly green sweater; an older man with a corona of white hair and a perfectly creased blue suit; a Russian woman (I think) in a trench coat; a woman wearing an embroidered Indian jacket of the same ilk as that last seen on Hillary Clinton as she spoke to the troops in Afghanistan; a priest; a women in a bright red hoodie sweatshirt; a boy with droopy pants, a ski cap and a shockingly bright turquoise tee shirt; a portly woman in a Norwegian ski sweater and a man in a rugby shirt with pastel stripes.


Tomorrow and next year Vermeer’s milkmaid will still be wearing her red skirt, blue apron, yellow chemise and wimple, while all those who saw her today will have scattered across the city and changed their clothes.

Elsewhere in the exhibit I noted that in Vermeer’s “The Maid Asleep” the eponymous maid sits & dozes on a red leather chair with brass knobs. I recognized that chair and immediately the back of my thighs began to ache. Did my mother see this painting before acquiring her beloved red leather dining room chairs with brass knobs, the ones that are so uncomfortable and in which I, for one, would be very unlikely to fall asleep?

Given her fondness for Caucasian carpets (note the table covering) this does not seem unlikely. She admired the beautiful rug and the sleeping maid and made the leap to the (false) assumption that similar red-leather-brass-knobbed chairs would provide comfortable and elegant seating in her dining room.
Maybe you will characterize me as a whiner, complainer and griper (and all of these are occasionally true and I will try to expunge such behavior before our upcoming day of national mandatory gratitude) but I still assert that those chairs are just plain painful on the hamstrings, and my heart goes out to the Dutch maid.