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Showing posts with label PAtrick Leigh Fermor. Show all posts
Showing posts with label PAtrick Leigh Fermor. Show all posts

Wednesday, July 30, 2014

Dispatch from Morphistan #34

Suggested reading while on Morphine
1. Anything in large type
2. The Wikipedia entry on morphine; especially as it relates the facts and myths about Samuel Taylor Coleridge’s opium consumption and the creation of Kubla Khan; especially because you can enlarge the font size as much as you want on Wiki.
3. Amok by Stefan Zweig, and I cannot explain why.
4. The Life of the Bee, by Maurice Maeterlinck, but only if you have read it before multiple times. The key is knowing it almost my heart already.
5. Recipes with many pictures, but do not try to actually cook any of the recipes.
6. Art books, especially books about surrealistic or abstract or extra-abstract art, because you will enjoy them more than at any other time. No photo-realism or Jeff Koons.
7. Proust. Seriously. Pick it up anywhere and anywhere. It makes no difference and it will engage you entirely.
8. In tearing haste, Letters Between Deborah Devonshire and Patrick Leigh Fermor, edited by Charlotte Mosley. Darling Debo and Darling Pad. It is full of descriptions of “curly scimitars glittering[ing] from the saddles” and “ troglodyte villages” and multi-colored flocks of sheep, and beaucoup de gossip. Many thanks dear Nonnie, for this treasure.
9. Audio books: do these count as reading? (Feelings can run to temperature extremes when debating this subject, but not when you are on morphine.)

Friday, January 20, 2012

Rollerskating in the cloisters

In the annals of unwanted gifts mothers give their sons, this is hardly the worst. My son would probably rank it several notches above the desktop croquet set or lifetime membership to the Hagiographers Club or the plaid vest with antler buttons. Still, it is disconcerting to read the inscription: To Phil, Christmas 1949, love Mother, on the flyleaf of this book, filled with vignettes of the paranormal, the weird, the impossible, and the miraculous. It is hard to imagine what would interest Phil, the man who was not yet my father, less than the paranormal, weird and miraculous tales contained therein, except perhaps his horoscope or membership in his local Theosophical Society. It speaks volumes of the gap between mother and son.
But ill-considered gifts are not the true topic of this particular screed. The true topic may well be the same old topic, which is: It is a Good Idea to Keep Books, no matter how weird and random and useless they appear. (And yes, there are always exceptions.) As in this book, which has probably been in the basement since that Christmas of 1949. This time it is Patrick Mahony’s Out of the Silence, (1948 edition, Storm Publishers). If the generic title does not intrigue you, continue on to the subtitle: A Book of Factual Fantasies.
Given my fondness for lives of the paranormal, weird, impossible and miraculous saints, it seems logical that I would be compelled. Equally compelling, the introduction was written by Maurice Maeterlinck (1862-1949), the Belgian writer who was also a beekeeper and wrote the exquisite The Life of the Bee, in which he goes into raptures about the sexual adventures of the queen bee. It is true that MM is probably better known for his plays, particularly, Pelléas and Mélisande, and receiving the Nobel Prize, but think it is The Life of the Bee that will endure. So I sat among the dusty pages and read Out of the Silence.*
I read about the Vennums of Watseka, Illinois and how their daughter Lurancy had a cataleptic fit and then turned into the dead daughter of a family across town, the Roffs. Her transformation was so absolute that all agreed she should move in with the Roffs. They were happy to have their dead daughter back. Then a year later Lurancy, now Mary Roff, had another cataleptic fit and turned back into Lurancy Vennum.
I read about the French teacher in Latvia whose astral projection picked flowers while she was teaching irregular verbs in the classroom.
I read about the brother-in-law’s ghost spelling the word F-O-R-E-V-E-R in the sand.
But this is where it all came together: Mahony relates how when Maeterlinck and his lover Georgette LeBlanc lived at the Abbey of St Wandrille, they encountered the ghost of a monk Bernard who had died in 1693, and how they discovered his bones inside a secret room. (That’s the “factual fantasy”.)
It so happens that I had read about Maeterlinck’s stay in that monastery when I was reading his Life of the Bee.
[Saints will now be mentioned, but very little.It is really just one saint, and more about architecture.] Saint Wandrille or Wandregisilus (d. 668) was born near Verdun and from his earliest years was determined to be a monk. However, to please his parents he married, but went to on to have a chaste marriage. (Depending on the version: it is also said that Wandrille and his bride were the parents of St Landrada, which implies they were not entirely chaste.) The bride is heard from no more, and Wandrille went into a monastery. Around 657 he built the Abbey and a basilica in the Carolingian style. The church burned to the ground in 756 but was later rebuilt in another style. In the 9th century the abbey was the frequent target of Viking raids, and was burned again. This time the monks grabbed St Wandrille’s bones and fled the flames. The church and abbey were restored in the 10th century and proceeded to have several good centuries; it was the heyday of monasteries. One of the many privileges afforded to the good monks was an exemption from river tolls on the Seine.
Then, in 1631, the central tower fell with no warning and crushed large sections of the abbey. During the Revolution the abbey was suppressed, and sold for auction in 1791. Several more bad years followed when it was used as a factory. But then George Stacpoole, a quirky Irishman hoping to ingratiate himself with the pope, bought the abbey and lived there until 1896. On his death, he gave the property to the French Benedictines, but they were expelled by the French government in 1901 and had to seek exile in Belgium. Then – and this is the time that especially concerns us – Maurice Maeterlinck rented the abbey from 1907 to 1914, and lived there with his lover Georgette LeBlanc.** According to Mahony they entertained lavishly and rehearsed many of his plays. This is Georgette when she is not dressed as a nun.
Mahony does not mention Maurice and Georgette dressing up as monks and nuns and roller-skating through the vast courtyards and cloisters and halls of St Wandrille. Nor does he mention Maeterlinck’s bees.
In 1931 the Benedictines got the monastery back and they are still there, praying in silence and being hospitable to visitors, but given the history of the abbey, we hope that the monks have a plan B.

This block of 1951 stamps of St Wandrille Abbey sold on eBay for $13.00 on the last day of last year.




*Not to be confused with Patrick Leigh Fermor’s A Time to Keep Silence, in which he describes his stay with the monks of St Wandrille Abbey.

**I can highly recommend Georgette’s memoir, Souvenirs: My Life with Maeterlinck, in which she recounts how she stalked and seduced and landed Maeterlinck as her lover.